This is a very mellow, Grateful Dead/Allman Brothers-esque jam From February 8. 1970 at the Boston Tea Party. Jim Gordon from Derek and the Dominos plays drums. The connection between Peter Green (rest in peace) and Eric Clapton borders on telepathic. It’s uncanny.
On Sept 19, 1970 Led Zeppelin played two shows at Madison Square Garden, in New York City. It was reported in the press that each member of the band earned $30,000 for less than six hours work. Good for them. They earned it because this show contains one of the hottest hours of live music I’ve ever heard.
Holy shit is this a great performance. 1970 was Led Zeppelin hitting peak swagger wherein the walk was walked, along with talking the talk. They sound completely at ease, and effortlessly soar in that rarefied air reserved for the best. That place where they make it look easy. Ali, Miles Davis, Michael Jordan… they were the high water mark for their genre, as is Led Zeppelin, and this is why.
I got this show in excellent audience and soundboard quality (great stereo too) from Guitars101, so if you want the show for yourself, head on over and grab it. It’s a JRK remaster of the existing audience and soundboards called Intimidating Divinity. It’s peak Zeppelin before Stairway made them gods.
The connection with the audience is palpable, and the band plays like their cruising in the back of a sweet convertible on a sunny afternoon. I hope you enjoy it as much as I do.
Many people forget that before the mid 1970s, Fleetwood Mac was actually a pretty hard rock/blues band. There are about 5 iterations of the band other than the Stevie Nicks/Lindsey Buckingham days. Christine McVie was in the band for several lineups, moving from blues/hard rock gradually to the smooth, impeccable, California pop that was the Rumours lineup.
This song is from the Peter Green era of Fleetwood Mac. Green Manalishi is by all rights a metal song. It was covered by Judas Priest for Christ’s sake. In places this could be Black Sabbath, but it isn’t. It’s a top notch band playing stratospherically well, in that way that only the 1968-1972 era really contains.
It’s long. Like 15 minutes long, and from what I glean from the comments, this version is better than other (canonical) versions. I can see why. This is great. Heavy but still delicate. Out there but not too far. Yes, it’s super indulgent with the ten minute plus solo, but did you know much of that solo was played on a Fender Bass VI? That makes it cooler.
Basically, I’m sharing this because I recently discovered it, and it’s so damn good it should be heard by everyone. Enjoy.