John Bonham Interview
Audio From 1972 Led Zeppelin NME Story
As the creator of the World’s Okayest Led Zeppelin Podcast I am constantly scanning for new, and relevant, LZ stuff to share with you. Thanks to the excellent Led Zep fan forum, Royal-Orleans, I’ve discovered audio from a 1972 interview of John Bonham. There are precious few interviews with Bonzo, and this audio is a revelation.
This was right around the time that Houses of the Holy was recorded, right on that cusp before they became HUGE. They were already huge but in 1972 they still played around with cover songs, medleys, and John Paul Jones still had a Hammond Organ instead of a mellotron. It’s incredibly fascinating hearing him speak about how Zep was slagged in the British press about being sellouts, and being too big, while he’s telling Roy Carr (the interviewer for NME) about how Zeppelin was the only band to go back to the clubs (1971).
It’s a great interview where one can hear what a …. good guy Bonzo was. He was only 24 at the time, and he’s got to answer questions like a politician. Defending Led Zeppelin for avoiding television and the press, which is obviously the best thing Zep ever did, given the attitude the press had toward them. Zeppelin made it big DESPITE of the press. DESPITE avoiding publicity and exposure. They made it because they were simply the best rock band in the world. I just published a podcast featuring some unreleased live music from the 1972 tour. Listen and you’ll see why they were so amazing.
Bonzo has a wonderful attitude and I really like this guy we hear. He defends the accusations that Zep sold out and retired to their enormous mansions by telling Roy Carr that he and Robert had the same homes that they had at the beginning. They were country boys and homebodies (especially Bonzo).
I really enjoy this peek into the history of the band at the cusp of SUPER STARDOM, and the year before The Song Remains The Same was filmed. The gist of the whole thing is that Zep were 4 amazing musicians who didn’t let ego change their dynamic (at least at that point) and their talent and synergy meant they could do all this without collaborators, session musicians, or outside input. Enjoy this super cool John Bonham interview.