Did you know that in 1978/79 John Bonham & Roy Wood (former ELO alum) recorded a song together? You do now! It is called Keep Your Hands On The Wheel. It’s a track on Roy Wood’s album, On The Road Again. It’s interesting to hear Bonzo playing with another band.
This session undoubtedly occurred during Led Zeppelin’s hiatus after the death of Robert Plant’s son, in 1977. Last week I posted a session Bonzo did with Paul McCartney, because it’s interesting to focus on John Bonham, after so much attention on Jimmy Page.
The song itself is, in my opinion, nothing to write home about, but the style of John Bonham is evident. No one could mic him as well as Jimmy Page, though. Enjoy.
John Bonham recorded some tracks with Paul McCartney during the 1975/1976 Led Zeppelin hiatus (Robert was recovering from a terrible car crash, and was in a wheelchair for months), and we are lucky enough to hear one. Beware My Love is the most rocking track (not that it says much for Wings. It’s not like they’re Motorhead) on the Wings At The Speed Of Sound album.
This is a rough track, just a bit more than a demo, as far as polish and quality go, but it’s cool to hear Bonzo’s Presence era drums, a bit like the thump and drive of Achilles’ Last Stand, driving the whitest band in the world.
I posted an audio interview with John Bonham from 1972, if you’re interested in Led Zeppelin related Bonzo content. Otherwise enjoy this little ditty from McZep. The drums don’t have the presence (no pun intended) that Led Zeppelin’s songs have, but that’s a testament to Jimmy Page knowing how to mic drums. It’s fun. It’s cool to know that Bonzo had a life outside of Zeppelin, musically speaking.
As the creator of the World’s Okayest Led Zeppelin Podcast I am constantly scanning for new, and relevant, LZ stuff to share with you. Thanks to the excellent Led Zep fan forum, Royal-Orleans, I’ve discovered audio from a 1972 interview of John Bonham. There are precious few interviews with Bonzo, and this audio is a revelation.
This was right around the time that Houses of the Holy was recorded, right on that cusp before they became HUGE. They were already huge but in 1972 they still played around with cover songs, medleys, and John Paul Jones still had a Hammond Organ instead of a mellotron. It’s incredibly fascinating hearing him speak about how Zep was slagged in the British press about being sellouts, and being too big, while he’s telling Roy Carr (the interviewer for NME) about how Zeppelin was the only band to go back to the clubs (1971).
It’s a great interview where one can hear what a …. good guy Bonzo was. He was only 24 at the time, and he’s got to answer questions like a politician. Defending Led Zeppelin for avoiding television and the press, which is obviously the best thing Zep ever did, given the attitude the press had toward them. Zeppelin made it big DESPITE of the press. DESPITE avoiding publicity and exposure. They made it because they were simply the best rock band in the world. I just published a podcast featuring some unreleased live music from the 1972 tour. Listen and you’ll see why they were so amazing.
Bonzo has a wonderful attitude and I really like this guy we hear. He defends the accusations that Zep sold out and retired to their enormous mansions by telling Roy Carr that he and Robert had the same homes that they had at the beginning. They were country boys and homebodies (especially Bonzo).
I really enjoy this peek into the history of the band at the cusp of SUPER STARDOM, and the year before The Song Remains The Same was filmed. The gist of the whole thing is that Zep were 4 amazing musicians who didn’t let ego change their dynamic (at least at that point) and their talent and synergy meant they could do all this without collaborators, session musicians, or outside input. Enjoy this super cool John Bonham interview.